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Whether Bobby was cruelly slapping around that squirrelly little creep Henry (Willie Garson), or finding himself unable to resist the little-boy selfishness that’s been mucking up his relationship with Diane (Kim Delaney), Smits somehow managed to make every flicker in Bobby’s mind register on his stoic face.
And, as if in response to the criticism that NYPD seems unable to create a female character who’s not primarily a foil for the men, there seems to be a breakthrough: new addition Jill Kirkendall (Andrea Thompson), a cop who is already looking like the most resonant crime-solving woman since Helen Mirren’s Jane Tennison in Prime Suspect.
The season opener, in which Homer and family left Springfield to work and live in a happy-faced, fascist corporate community was such a dead-on critique of the Disney empire, I swear I heard Rupert Murdoch chuckling.
As he proved with the brief, terrific South Central (1994), producer-creator Ralph Farquhar knows how to bring African-American life to television without disguising or cheapening it.
High point thus far: Michael Richards’ Kramer accidentally entering the corporate world and having his entire business career rise and fall in the space of 30 minutes.
10 MOESHA (UPN) There’s no current sitcom star with ebullience equal to Brandy Norwood’s; as Moesha, she’s prime time’s most engaging teenager.
7 MURDER ONE (ABC) By the end of last season, Daniel Benzali had become known in my house as ”the boring bald guy.” But that debut run of One also pulled off the show’s then-central conceit — keeping you engaged in a single trial over 21 episodes.
This season, Anthony La Paglia replaced Benzali and offered a hero who was prickly and arrogant in a more engaging way.
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